
Appraisal: 1968 Mexico Olympics Poster
Clip: Season 28 Episode 15 | 3m 41sVideo has Closed Captions
Appraisal: 1968 Mexico Olympics Poster
Watch Nicholas D. Lowry’s appraisal of a 1968 Mexico Olympics poster in Stan Hywet Hall & Gardens, Hour 3!
Problems playing video? | Closed Captioning Feedback
Problems playing video? | Closed Captioning Feedback
Funding for ANTIQUES ROADSHOW is provided by Ancestry and American Cruise Lines. Additional funding is provided by public television viewers.

Appraisal: 1968 Mexico Olympics Poster
Clip: Season 28 Episode 15 | 3m 41sVideo has Closed Captions
Watch Nicholas D. Lowry’s appraisal of a 1968 Mexico Olympics poster in Stan Hywet Hall & Gardens, Hour 3!
Problems playing video? | Closed Captioning Feedback
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Learn Moreabout PBS online sponsorshipGUEST: This is a print that my father acquired in 1975, and he had it in our home for all of my childhood.
And about 15 years ago, he gave it to me.
And we had it for a while, and then it just quite wasn't our style.
So we put it in our barn, and it's been in the barn with the chickens, um, for 15 years or so.
And my son just graduated from Akron U in graphic design, pulled it out of the barn and loved it.
And I saw it, and I said, "I'm gonna bring it today to ANTIQUES ROADSHOW."
APPRAISER: Do you have any idea what it was that drew your father to it in the first place?
GUEST: He was an industrial designer, and he was very into graphic arts and lines and things like that, and he just loved the print.
APPRAISER: It's a poster for the 1968 Summer Olympics in Mexico.
And if you look very carefully in between all the lines, you can see how this really exceptional graphic image was created around the five Olympic rings.
So the poster was designed by three people.
The, the chief designer for the entire look of the 1968 Mexico Olympics was the American designer Lance Wyman.
He was helped by Pedro Ramirez Vazquez, who was not only an architect, but also the president of the organizing committee of the Olympics, and Eduardo Terrazas, who was a founding member of the contemporary art scene in Mexico.
Not only was this sort of a psychedelic hippie motif, which was totally of the moment in 1968, but even more importantly, the designs echoed some of the Indigenous designs created by the Huichol peoples of Latin America.
So this really had a connection to the old world and the contemporary world, which helped make it this universal symbol for the games.
And they used the Olympic rings and, and they used the 68 number, and they built this op art image.
And op art, not pop art, but op art, which is short for optical art, GUEST: Mm-hmm.
APPRAISER: was basically this art form that played with fine lines and almost optical illusions, and the idea was to make it sort of shimmer and move as we look at it.
And I think it really accomplishes that.
GUEST: Mm-hmm.
APPRAISER: The 1968 Summer Games were famous for several reasons.
It was the first Olympic Games held in Latin America.
GUEST: Mm-hmm.
APPRAISER: Mexico City is at such an incredible elevation, uh, that athletes had to come before the games to train at such a high altitude.
GUEST: Wow.
APPRAISER: And then, perhaps the most famous event that happened at the 1968 Summer Olympics was when, after the 200-meter dash and during the award ceremony, when the American runners Tommie Smith and John Carlos, who'd won the gold medal and the bronze medal, respectively, were up on the podium, and they gave the Black Power salute, which is just a powerful image that resonated all across the world.
GUEST: Absolutely.
APPRAISER: If you could go back in time, say, to 2012, and you tried to sell this, you'd be able to sell it for about $600.
GUEST: Hmm.
APPRAISER: I'm very familiar with this image, and I've seen it in books, and I've seen it on the Internet.
I've never seen it in person before.
GUEST: Oh.
APPRAISER: And what struck me about it was how large it was.
GUEST: Mm-hmm.
APPRAISER: And 25,000 copies of this poster were printed.
GUEST: Really?
APPRAISER: Which seems like a tremendous amount.
But as they were distributed all across the world, many people chose not to keep them.
Uh, it still is very rare today.
If this were to come up at auction, it would fetch between $3,000 and $4,000.
GUEST: Wow, really?
Oh, my.
(laughs) How exciting.
Oh... (laughing) APPRAISER: A gold medal for you for that one.
GUEST: Yay.
(laughing) Thank you.
Appraisal: 1792 Ferdinand Berthoud Manuscript
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Clip: S28 Ep15 | 3m 25s | Appraisal: 1792 Ferdinand Berthoud Manuscript (3m 25s)
Appraisal: 1832 Cleveland Manuscript Map
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Clip: S28 Ep15 | 3m 25s | Appraisal: 1832 Cleveland Manuscript Map (3m 25s)
Appraisal: 1859 Oil on Wooden Panel Painting
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Clip: S28 Ep15 | 3m 41s | Appraisal: 1859 Oil on Wooden Panel Painting (3m 41s)
Appraisal: 1894 Ohio Maritime Diorama
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Clip: S28 Ep15 | 2m 40s | Appraisal: 1894 Ohio Maritime Diorama (2m 40s)
Appraisal: 1920 Beloved Belindy, Raggedy Ann & Andy Group
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Clip: S28 Ep15 | 2m 52s | Appraisal: Beloved Belindy, Raggedy Ann & Andy Group, ca. 1920 (2m 52s)
Appraisal: 1926 Ernst Heinrich Roth Amati Copy Violin
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Clip: S28 Ep15 | 3m 10s | Appraisal: 1926 Ernst Heinrich Roth Amati Copy Violin (3m 10s)
Appraisal: 1955 Fernando Amorsolo Oil Paintings
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Clip: S28 Ep15 | 4m 21s | Appraisal: 1955 Fernando Amorsolo Oil Paintings (4m 21s)
Appraisal: 1995 Fox Kids Promotional Print Set
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Clip: S28 Ep15 | 3m 33s | Appraisal: 1995 Fox Kids Promotional Print Set (3m 33s)
Appraisal: Art Deco Sapphire & Diamond Brooch, ca. 1915
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Clip: S28 Ep15 | 3m 27s | Appraisal: Art Deco Sapphire & Diamond Brooch, ca. 1915 (3m 27s)
Appraisal: Frederick Rhead Bowl & George Ohr Pot
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Clip: S28 Ep15 | 4m 22s | Appraisal: Frederick Rhead Bowl & George Ohr Pot (4m 22s)
Appraisal: Japanese Lacquer Tabako-bon, ca. 1900
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Clip: S28 Ep15 | 5m 15s | Appraisal: Japanese Lacquer Tabako-bon, ca. 1900 (5m 15s)
Appraisal: Mandalian Metal Mesh Purse, ca. 1915
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Clip: S28 Ep15 | 1m 3s | Appraisal: Mandalian Metal Mesh Purse, ca. 1915 (1m 3s)
Appraisal: Thurman Munson-signed Baseball, ca. 1975
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Clip: S28 Ep15 | 2m 39s | Appraisal: Thurman Munson-signed Baseball, ca. 1975 (2m 39s)
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Funding for ANTIQUES ROADSHOW is provided by Ancestry and American Cruise Lines. Additional funding is provided by public television viewers.