
Appraisal: Signed 1936 "Gone With the Wind" First Edition
Clip: Season 30 Episode 4 | 3m 36sVideo has Closed Captions
Appraisal: Signed 1936 "Gone With the Wind" First Edition
Check out Devon Eastland's appraisal of a signed 1936 "Gone With the Wind" first edition in Georgia State Railroad Museum, Hour 1.
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Appraisal: Signed 1936 "Gone With the Wind" First Edition
Clip: Season 30 Episode 4 | 3m 36sVideo has Closed Captions
Check out Devon Eastland's appraisal of a signed 1936 "Gone With the Wind" first edition in Georgia State Railroad Museum, Hour 1.
Problems playing video? | Closed Captioning Feedback
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Learn Moreabout PBS online sponsorshipGUEST: This is my grandmother's copy of Gone with the Wind.
She was born in 1900, and she was friends with Margaret Mitchell.
They were childhood friends, grew up in Atlanta.
And so when the book came out, she bought it new.
I guess she asked Margaret Mitchell to sign it for her, and she did.
So, it's an autographed copy by the author.
APPRAISER: Let’s take a look, because it's not just Margaret Mitchell in here signing.
GUEST: Okay.
APPRAISER: We’ve got Margaret Mitchell inscribing to your grandma?
GUEST: Yes.
APPRAISER: After about six months, she was so swamped she refused to sign anymore, which is good for us, on the... GUEST: Mm-hmm.
APPRAISER: ... collecting side of things.
APPRAISER: And then over here, we have some, some Hollywood greats.
GUEST: We have the movie stars' names, the ones who were living who went to the centennial premiere, which was in 1961.
So we have the autographs of Olivia de Havilland and Vivien Leigh, who won the Academy Award, and David Selznick, who also won the Academy Award as producer of the movie.
APPRAISER: They played the movie for the centennial of the beginning of the Civil War, so 1961.
There are some very interesting points about this book.
Points are ways that we determine the edition of a book.
And, for Gone with the Wind, it was very popular.
Went into second edition almost immediately.
And the way we can tell is this copyright date.
This one says May 1936.
And that means (clicks tongue) for sure, 100% first edition.
GUEST: Great.
APPRAISER: So that, that has-- that's important for value.
There are more signatures... GUEST: Yes.
So on that page, it looks like my grandparents went out to a Confederate veterans home and met with some very old Confederate veterans who signed the book as kind of a representation of what the book was about.
I think they thought it was important to document these people.
APPRAISER: And then here, there are signatures of people that were formerly enslaved that were still living.
GUEST: Yes.
I think my grandfather dated... both of those two pages, like 1939, 1940.
So just a couple years after the book, and a year after the movie.
APPRAISER: The signatures in the back really speak to the epic nature of the story itself.
And of course, the time period that it's trying to cover.
The fact that there are people that fought in the Civil War on the Confederate side, and people that were formerly enslaved writing their names in here, it's just sort of a testament to what an important work this was.
GUEST: It was a big story for the city of Atlanta.
APPRAISER: The other thing is this photo, which is fabulous, because it's got Margaret Mitchell.
Which-which one is she in that photo?
GUEST: Yeah, she's in the front, in the center.
That's a picture when my grandmother and great-grandmother and great-uncles were on a-a house party out in the country with Margaret Mitchell.
And we think that's maybe her first husband before they were married.
It's a 1920 photograph, so they were-- APPRAISER: So it’s an early... GUEST: They were 20 years old.
APPRAISER: And she's wearing pants.
I read that her skirt caught fire when she was little, and her mom was so afraid, that she dressed her in pants and they called her Jimmy.
GUEST: Interesting.
(both laugh) APPRAISER: Which is just the cutest thing.
Have you ever thought about, about value of a signed first edition of Gone with the Wind?
GUEST: We’ve thought about it.
We were guessing $1,000, if--we're happy if it's that or more.
APPRAISER: Okay.
Well, all of those special features of your grandmother's copy, an auction estimate would be $20,000 to $30,000... GUEST: Wow.
APPRAISER: for your little book.
GUEST: That’s fantastic.
If I would've been happy with $1,000, I'm 20 to 30 times happier.
APPRAISER: (laughing): I like that.
(both laugh)
Appraisal: 1901 Alexander Fisher Enamel Plaque with Letter
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Clip: S30 Ep4 | 2m 44s | Appraisal: 1901 Alexander Fisher Enamel Plaque with Letter (2m 44s)
Appraisal: 1967 Frank Stella "Fortín de las Flores" Screenprint
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Clip: S30 Ep4 | 2m 51s | Appraisal: 1967 Frank Stella "Fortín de las Flores" Screenprint (2m 51s)
Appraisal: 1977 Carl Andre 4 "Aluminum Square" Sculpture
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Clip: S30 Ep4 | 3m 5s | Appraisal: 1977 Carl Andre 4 "Aluminum Square" Sculpture (3m 5s)
Appraisal: 1981 Andy Warhol-inscribed "Myths"
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Clip: S30 Ep4 | 2m 9s | Appraisal: 1981 Andy Warhol-inscribed "Myths" (2m 9s)
Appraisal: 1992 Tournament of the Americas "Dream Team" Signed Ball
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Clip: S30 Ep4 | 2m 9s | Appraisal: 1992 Tournament of the Americas "Dream Team" Signed Ball (2m 9s)
Appraisal: Alexis Jean Fournier Landscape Oil Painting, ca. 1910
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Clip: S30 Ep4 | 2m 59s | Appraisal: Alexis Jean Fournier Landscape Oil Painting, ca. 1910 (2m 59s)
Appraisal: American Bisque Baby Elephant Cookie Jar, ca. 1945
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Clip: S30 Ep4 | 1m 4s | Appraisal: American Bisque Baby Elephant Cookie Jar, ca. 1945 (1m 4s)
Appraisal: Ansonia "Lydia' Figural Mantle Clock, ca. 1890
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Clip: S30 Ep4 | 1m 28s | Appraisal: Ansonia "Lydia' Figural Mantle Clock, ca. 1890 (1m 28s)
Appraisal: Cathedral Pattern Molded Jar, ca. 1850
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Clip: S30 Ep4 | 2m 27s | Appraisal: Cathedral Pattern Molded Jar, ca. 1850 (2m 27s)
Appraisal: European Creedmoor-style Mechanical Bank, ca. 1890
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Clip: S30 Ep4 | 3m 21s | Appraisal: European Creedmoor-style Mechanical Bank, ca. 1890 (3m 21s)
Appraisal: Hanns-Peter Krafft for Meier Sheep, ca. 1980
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Clip: S30 Ep4 | 1m 21s | Appraisal: Hanns-Peter Krafft for Meier Sheep, ca. 1980 (1m 21s)
Appraisal: "His Master's Voice" Gramophone Group
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Clip: S30 Ep4 | 3m 16s | Appraisal: "His Master's Voice" Gramophone Group (3m 16s)
Appraisal: Jean Schlumberger for Tiffany & Co. Bracelet
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Clip: S30 Ep4 | 2m 2s | Appraisal: Jean Schlumberger for Tiffany & Co. Bracelet (2m 2s)
Appraisal: Juvenia Arithmo Calculator Watch, ca. 1955
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Clip: S30 Ep4 | 1m 42s | Appraisal: Juvenia Arithmo Calculator Watch, ca. 1955 (1m 42s)
Appraisal: Olga de Amaral "Lost Image VII" Tapestry
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Clip: S30 Ep4 | 3m 42s | Appraisal: Olga de Amaral "Lost Image VII" Tapestry (3m 42s)
Appraisal: Ottoman Silver Gilt & Niello Belt, ca. 1875
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Clip: S30 Ep4 | 1m 47s | Appraisal: Ottoman Silver Gilt & Niello Belt, ca. 1875 (1m 47s)
Appraisal: Van Cleef Diamond & Platinum Brooch, ca. 1960
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Clip: S30 Ep4 | 2m 25s | Appraisal: Van Cleef Diamond & Platinum Brooch, ca. 1960 (2m 25s)
Preview: Georgia State Railroad Museum, Hour 1
Video has Closed Captions
Preview: S30 Ep4 | 30s | Preview: Georgia State Railroad Museum, Hour 1 (30s)
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