Prairie Public Shorts
Carmen Bruhn, Abstract Painter
11/6/2026 | 5m 22sVideo has Closed Captions
Panama's Carmen Bruhn blends abstract and symbolic realism in her paintings.
Carmen Bruhn is a painter who grew up in a small town in the Republic of Panama. When she first came to the United States, she found work right away with an architecture firm, but she quickly developed a unique style by blending abstract art with symbolic realism. Her cultural heritage and architectural expertise shape her work, and her joyous spirit brings every brushstroke to life.
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Prairie Public Shorts is a local public television program presented by Prairie Public
Prairie Public Shorts
Carmen Bruhn, Abstract Painter
11/6/2026 | 5m 22sVideo has Closed Captions
Carmen Bruhn is a painter who grew up in a small town in the Republic of Panama. When she first came to the United States, she found work right away with an architecture firm, but she quickly developed a unique style by blending abstract art with symbolic realism. Her cultural heritage and architectural expertise shape her work, and her joyous spirit brings every brushstroke to life.
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Learn Moreabout PBS online sponsorship(soft vibrant entertaining music) - I think I was an artist from the beginning when I was a child.
I have a lot to give, a lot to learn.
The more I learn, I feel like the least I know about the media.
(soft vibrant entertaining music) I think I paint for the next painting, the painting that will wow me.
And then when that happens, I will look back, and I say, "Oh my gosh, I did that and how I did it?"
(soft vibrant entertaining music) I am Carmen Bruhn and I am an artist.
I grew up in David, in the Republic of Panama.
My town was a small town, a small city, nice folks.
We all have a very good upbringing.
After high school, then I moved to the University of Panama to go to the school of architecture.
From there, I really realized going outside painting and doing drawings of the colonial architecture of Panama, that I have a strong sense that I wanted to become an artist too.
(soft pleasant music) I came to the United States in 1982.
I worked for an architect for a while doing models.
My background as an architect has influenced my work tremendously, because now I could see that I love the great pattern, the straight lines, windows, doors, buildings.
I don't want to put myself in the artistic boxes style.
I could be today a different person than tomorrow.
It depend on what I want to put on my canvas.
But I came to the conclusion that I love abstract, and my art is part of abstract and with a blend of symbolic realism, and I'm satisfied with that description.
(light upbeat pleasant music) I like to work in layers.
So I will paint layers of colors, let them dry and go.
Some may be transparent, other ones may be opaque.
Then I look, what elements of art do I really want in my painting?
Everything that I felt that day, I can put it in the canvas.
Then when I'm done doing that, I could go back and look for some nuggets, something that attracted me that I would like to repeat.
(light upbeat pleasant music) Once I do that, then I can think about my visual path, then I start refining the painting.
But the process is not one, two, three.
It can go back and forth.
I may be stuck sometimes.
I get stuck in paintings a lot.
Other times I paint and the whole painting just come so easy and it's just wow me, but some other times it doesn't happen like that.
(soft pleasant music) Living in Panama, I think I take it the tropical bright colors and the warm palette, but I also love the cool palettes of the ocean.
So I tend to bounce between warms and cools.
And living here in Detroit Lakes, I love color.
Our winters are so great.
They influence me, so I need all these bright colors to feel the warm and the happiness that I want to feel.
(soft pleasant music) I paint for the joy of painting, for being, discovering something that I have not seen in the canvas yet.
Working on my art, it just make me so happy.
I hope people take away from my work the feeling of happiness, the feeling of joy, the feeling of, yeah, it is every time I look at that painting, it make me happy.
It's a very good feeling to start your day.
So that's what I hope.
(soft pleasant guitar music) - [Narrator] Funded by the Minnesota Arts and Cultural Heritage Fund with money from the vote of the people of Minnesota on November 4th, 2008, and by the members of Prairie Public.
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